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Jordan S. Douglas Photography͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
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The colorful grace of Autumn is yielding to darkness once again. Days are shortening and the air is cold. I feel a reinvigorated need to create as the foreboding winds of winter rise.
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Flaking Jesus 8x10-inch Silver Gelatin Print, 2024
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Through the late summer and early fall, I documented the clearing of my recently acquired property in Bristol, where elderly sisters Marie and Olive were the last people to live among the accumulation. Objects enmeshed in tangles of weeds, within mazes of garden furniture and faded wooden structures, morphed into piles of debris and scrap metal. I am making darkroom prints of the Basin Street shots. Pictured above: a framed repro of a vernacular painting of Jesus was exposed to the rain and its surface nearly fully dissolved.
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Basin St. Things, Contact Grid #2 Digital crop from a scanned analog contact sheet
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I am also photographing things found at the site. I was able to pull aside a variety of items that spoke of the families who inhabited this quiet nook near the New Haven River, although much was swept away in the demolition of the deteriorating buildings. It seemed there was no chair, birdcage, garden ornament, or plastic animal that the sisters could resist. Sheds were packed with rusty tools and supplies from generations of farming, horse maintenance, and engine repair. So far, I have shot 3 rolls of objects in studio on black-and-white film, and have been cropping the scanned contact sheets, which will result in a new series of prints, akin to “My Father’s Things, Contact Grids”.
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Click on the image above to view a narrated slideshow of the PechaKucha presentation on my father’s artistic legacy and its influence on my art. To watch the YouTube video of my presentation at Burlington’s Flynn Space Theater on June 13, 2024, click HERE. My father, artist Stephen Douglas, is featured in the July, 2023 Newsletter.
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Moira in her music studio, the Bellow Shed, Bristol, Vt. with Snowy Roots, Silver Gelatin Holga print, 2012 In this era of social and political separation, I want to share an appreciation of my good friend, the singer, composer, song-collector, and musician, Moira Smiley, who’s work embraces a spirit of connection, love and empowerment. Moira Smiley has performed, recorded and collaborated with Laurie Anderson, Tune-Yards, Sam Lee, Sam Amidon, Eric Whitacre, Ladysmith Black Mambazo, Chris Thile, Fretwork Consort of Viols, The National Symphony, Solas, and The Lyris String Quartet, among others. Folded into her busy commission and performing schedule are guest artist residencies at universities and music organizations, and stints volunteering in refugee camps in Europe and the Middle East. Moira’s original compositions, choral arrangements, and folk tunes are sung by millions of voices around the world. I have twice had the pleasure of joining Moira’s Community Choir. In the fall of 2022, the Choral Lab, a group of around 50 people of all ages and backgrounds, met weekly in Burlington to bring songs from varying cultures to life. It was a new experience for me to sing with a large ensemble. Moira led us with her expertise and a joyful sense of improvisation. Each week, I could feel my heart expanding into the warm fabric of the supportive group. This spring, a new Choir met for six weeks. In addition to songs that members suggested, we learned parts to several of Moira’s new collection, The Rhizome Project. In the artist’s own words: “The Rhizome Project is the velvet ferocity of voices & strings, very old folk song and their power to remind us of our shared ‘sugar-in-the-ground’ – an unsentimental, underground connectivity that defies a divisive era.” The culmination of our Community Choir was to sing behind Moira in a performance with her fantastic string quartet on May 22, in Richmond, Vermont. Please visit Moira’s Website, explore her soulful music, and catch one of her upcoming shows!
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“Images of Havana” at the University of Vermont Medical Center Through January, 2025
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Callejon de Hamel 2, Havana 11x14-inch Silver Gelatin Lith Print, 2015 18 framed lith prints from my Cuba series is hanging at Burlington’s UVM Medical Center, on the 2nd and 3rd floors, including 5 images that have not been previously exhibited. Callejon de Hamel is a lively side street in Havana festooned with art, where weekly dance performances draw crowds of spectators. On the roof of the building are two water tanks. The black one says, “Aqua Blanca,” while the white one is labeled, “Aqua Negra”. They are inverted, to convey the message that water does not discriminate based on skin color; water is water.
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….. Selections from “Of Gavin” Burlington Muffler & Brake, South Burlington, Vt. Extended indefinitely
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Matchbox Cars, Of Gavin Silver Gelatin Emulsion on Arches watercolor paper, Toned in Sepia, 2019
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….. My Father’s Things, Contact Grid #9 is featured in the “Constructed” web gallery of the Photo Review 2024 Competition. The Photo Review has been an esteemed art journal since 1976. …..
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My Mother’s Things, Contact Triptych #1 My Father’s Things, Contact Triptych #1 33-inch Archival Inkjet Prints, 2024 This week, my two “Contact Triptychs” will come down from the Art Hop exhibition at Burlington City Arts Studios.
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THIS MONTH’S PRINTS FOR SALE
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One of each of these specially priced, signed and wrapped prints is available, and can be window-matted for an additional cost. To purchase, click on the image. Visit the website Store Page to see sale prints. Please email with questions, comments, or to inquire about any images: jordan@jordandouglasphotography.com
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The Pantheon, Rome 11x14-inch Silver Gelatin Print, Bleached and Toned in Selenium, 2012 $225
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Memory 11x14-inch Silver Gelatin Lith Print, 2003 $275 Memory was published in master photographer Tim Rudman’s compendium World of Lith Printing, 2003.
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As we move into the unknown of our shifting political landscape, it feels essential that we express ourselves, support each other, and find light in the darkness. My semester of teaching will conclude in a couple of weeks and I’ll have a month to shoot, scan, print and spread into the darkroom to advance my projects. Look for the next newsletter in January, and stay well. ~Jordan
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Previous Newsletters: August, 2024 June, 2024 March, 2024 January, 2024 November, 2023 October, 2023 September, 2023 August, 2023 July, 2023 June, 2023
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